Thursday, January 7, 2010

Garden State

Can you tell I've been staying in and watching lots of DVDs? It's snowy and cold these days in the Midwest!

Garden State. I loved watching it again after a couple of years away. It's typically male-dominated. Male protagonist with male friends, male enemies, and male doctors. But, the love interest, Sam (played by Natalie Portman), is well-developed and totally acceptable in my book. I'm glad she doesn't want to be anybody's bitch.

I liked that "Let Go" by Frou Frou was used in such a key moment in the film, but the soundtrack is otherwise very guy-heavy.

Also, and this is just a personal beef I have, but I think Zach Braff writes movies just so he can make out with pretty girls.

Take away message? Let's get some young, talented, Braff-ish women to whip out some equally fun but more lady-friendly films! I wouldn't complain about hearing more awesome all-girl or female-fronted bands on soundtracks either. ;)


Wednesday, January 6, 2010

The Hangover

Well, everybody's right. It's funny. I absolutely enjoyed watching it. I can't find a lot to celebrate, though, when it comes to the portrayal of women.

I'm just not into this world of male comedy where strippers and prostitutes are funny and readily available when otherwise "nice" guys want to let loose at a bachelor party. I hate to sound like the much-ridiculed villain of the movie, Melissa (played by Rachael Harris), but each of those women IS actually someone's daughter. Believe it or not, women ARE actually people, not just objects for men's bachelor party and movie-going entertainment. If saying that makes me uptight - if it means I take life just a little too seriously - I guess I'll just have to be okay with being a too-serious, uptight villain.

And, do I even need to say it? The movie is SO male dominated. Practically the best speaking part in this film for a female was the receptionist at the hotel. And could they have cast a more lifeless actress than Sasha Barrese as Doug's wife-to-be? I'm not even sure what to say about Jade (played by Heather Graham). I don't want to criticize the fact that Stu (Ed Helms) ended up liking her because, as I said, escorts are people too. But it goes along with what I said above about the portrayal of stripping and prostitution as funny or no big deal. I just don't like that message.

Finally, the baby was a really interesting part of this movie. I was mostly annoyed with it as it was just another instance of men being unable to care for children. I mean, come on, what normal human adult doesn't know you shouldn't leave a six-month-old alone in a car...in the sun...in Las Vegas? What real-life man can't handle carrying around an infant for a few hours without slamming it into a car door?

However, and I know I'm making this WAY more academic than the filmmakers want me to, but I couldn't help but think about how the baby slowed those guys down. Everywhere they went, the baby had to go. Everything they did, they had to figure out what to do with the baby. It was ATTACHED to them. It made noise. It caused trouble. It slowed them down so much, in fact, that they conveniently got rid of it (by handing it over to a woman) after just a couple of scenes. It almost seemed like a shout-out to how movies are never made about four crazy twenty- or thirty-something women looking to have a wild bachelorette party in Vegas. How could they be? Who would be looking after all the babies?

But it's probably not a shout-out. At much as I enjoyed this movie, and as often as I'll quote it in the future, I just can't forgive it for being yet another comedy that makes the same old offensive mistakes when it comes to gender. I can't wait for the day when I can laugh through a film and still feel great when I leave the theater (or turn off Comcast On Demand, in this case).

Sunday, January 3, 2010

Anchorman

Ha ha ha ha ha HA HA HA HA. I just saw Anchorman in its entirety for the first time last night. I laughed HARD through the whole thing. Here are my few gender-related comments about it:

- I loved how it made fun of the everything 70s, including the sexism of that decade. I think comedy is a wonderful tool for social change because it points out ridiculousness in a fun, non-confrontational way.

- That being said, I was frustrated there were really only two speaking female roles and like A HUNDRED roles for male comedians. A truly subversive movie would have found a way to incorporate more females while highlighting the gender disparities in the newsroom.

- I'm always suspicious of films that allow themselves to use really offensive language (how many times did Ron call Veronica something along the lines of "whore?") by acknowledging that they're really offensive. So, the logic in Anchorman says that Ron's news crew can say terrible things about their female colleague because that's how sexist guys talked back in the 70s. Another example of this kind of logic was used in Superbad (substitute "Seth and Evan" for "Ron's news crew," "classmates" for "colleague," and "talk when they're teenagers" for "talked back in the 70s"). I'm not 100% against this practice because you CAN make a really good point with it, but I believe it should be used sparingly. Maybe a little more sparingly than it was used in this movie.

Saturday, January 2, 2010

Avatar

Yay, James Cameron! Thanks so much for Avatar! Not only did I love it, but I'm hard-pressed to find ANYTHING to complain about in the gender portrayal department.

But, of course, I will, because I'm almost impossible to please. I was a little bothered by the fact that, on Pandora, the man was always the political leader and the woman the spiritual leader. I guess it did fit in some ways as the Na'vi people worshipped a goddess. Their logic might dictate that a female could more easily commune with "Eywa." Also, I really do appreciate so much the fact that women and men always led together and that leadership seemed to pass on to a child regardless of gender. But man as dominant, rational, political and woman as emotional, intuitive, spiritual is a little too on the stereotypical side for me.

Also, once again, the protagonist of a big-time action movie was a man. As I always say, that's not a problem on a movie-by-movie basis. OF COURSE it's okay to make a male your lead character. The problem is, as a group, there are very, very rarely action or sci-fi films that cast a woman in the biggest role. Sure, there are plenty that have strong female characters in them, but the women aren't the main characters - the characters whose names you'd say first if someone asked you what the movie was about. Avatar, of course, would have been an entirely different movie if it had featured Jane Sully, ex-marine and avatar who finds a smart forest boy to help her appreciate the beauty of the planet she's come to exploit. And I will say that James Cameron was doing so much that was different in this film that an unexpected gender twist might have made the movie too much for a mainstream audience to handle. But I did want to raise the point. I'm waiting for a great action/sci-fi flick that focuses on a female first.

Now, on to the many, many things I loved about the film.

- Wow. I was so pleased with gender ratios. Except for in the army, I think I saw as many females as males on screen and with speaking parts. There were also really great named female characters. Grace (played by Sigourney Weaver), the head scientist, and Trudy (played by Michelle Rodriguez), the rogue fighter, were particularly terrific roles.

- I was really annoyed when Neytiri jumped on the back of Jake's whatever-it-was (dragon? banshee? dinosaur?). I felt like, "Okay, here we go with the lady on the back of the motorcycle." But then (thank you, thank you, thank you again James Cameron!), she got her own untamable beast! The very animal that just about cost Jake his life at the beginning of the film. Nice.

- In general, I just loved Neytiri's toughness. How great of a moment was it when the villain had stabbed that cat-like animal she was fighting on, she was stuck underneath it with no hope of survival, and the first thing she did was hiss at him? Yes! And well-done, Zoe Soldana.

- I liked the contrast between the sexist soldiers from Earth (who more than once referred to a group of men as "ladies") and the nearly perfect gender equity of the Na'vi. Women were warriors and hunters alongside men. Both sexes could tame banshees and fight off a pack of Pandora wolves. Also, in one of the two societies they went to to gather more soldiers, a female was the one acting as leader and rallying the troops. I feel that in a lot of action flicks, the love interest, if she's tough, is seen as a gender exception - an especially cool female. In this case, all the Na'vi women were portrayed as strong.

- The natural world was equitable. Animals, if I heard correctly, were sometimes called "her" and sometimes called "him." That's a small detail that means a lot to me. It would have been so easy to just default to the masculine, especially when these pronouns were only used in a couple of scenes. Also, as mentioned above, the deity the Na'vi worshipped was a female. That's a nice counterpoint to the male God we hear about 99% of the time both in film and real life.

- I went to learnnavi.org, the website where you can learn the Na'vi language online, and the language looks very solid, gender-wise. For example, unlike Spanish, where a group that includes both males and females is referred to with the masculine pronoun, Na'vi, like English, has a gender neutral option. It's the difference, basically, between something like "you guys" and "you all."

- And finally, the overall message of the film was very positive with regard to gender. When Jake chose his avatar over his human body, he chose a lot of positive things: the use of his legs over a wheelchair, harmony with nature over a "dying planet," etc. However, he was also choosing a society with gender parity over one that glamorized the worst traditionally masculine traits: domination by brute force and at any cost and the unbridled pursuit of money (symbolized respectively by the male characters of the colonel and corporate tycoon, played by Stephen Lang and Giovanni Ribisi). Please note that I do not necessarily agree with making both of the villains male. Just as I believe men and women can make equally important productive contributions, I know that females and males are similarly capable of hate and destruction.

I could go on and on, but this post is already too long. I just really appreciated the effort to make women such equal players in this film that, realistically, will probably be seen by more men than women. Also, I think that the gender portrayal choices made this film much more interesting and groundbreaking than it would have been if it had followed action/sci-fi traditions more closely.

To end, there's one gender question about the film I don't have an answer to. We seem as Americans to love to Pocahontas/Sacagawea story - a rough-and-tumble guy discovers a new world with the help of a smart native woman. Is this cultural narrative good or bad for females? The "good" argument would say that these storylines represent men admitting they might have something to learn from a more capable female. The "bad" argument would say that this kind of plot is all about conquest. Any thoughts?